Fred Ho (Chinese name: 侯维翰; pinyin: Hóu Wéihàn; born Fred Wei-han Houn in Palo Alto, California, August 10, 1957 - April 12, 2014) was an American jazz baritone saxophonist, composer, bandleader, playwright, writer, and social activist.

While he is sometimes associated with the Asian American jazz oravant-garde jazz movements, Ho himself was opposed to the use of term "jazz" to describe traditional African American music because the word "jazz" was used pejoratively by white Americans to denigrate the music of African Americans. Also an activist, many of his works fuse the melodies of indigenous and traditional Asian and African musics, which as Ho would have said is the music of the majority of the world's people.

He has also co-edited two books:Legacy to Liberation: Politics and Culture of Revolutionary Asian Pacific America and Sounding Off! Music as Subversion/ Resistance/ Revolution. He had a third book in progress about African Americans and Asians working together in civil rights, which he was co-writing with Purdue University professor of African American studies Bill Mullen. Ho's contributions to the Asian American empowerment movement are varied and many. He is credited with co-founding several Asian American civic groups such as the East Coast Asian Students Union while a student at Harvard, The Asian American Arts Alliance in New York City, The Asian American Resource Center in Boston, and the Asian Improv record label.

Of Chinese descent, Ho specialized in the combining sometimes asynchronous tunes and melodies of various musical traditions, creating what many have described as both brilliant and chaotic sounds. He was the first to combine Chinese opera with traditional African American music. He lead the Afro Asian Music Ensemble (founded in 1982) and the Monkey Orchestra (founded in 1980). He lived in the Greenpoint section of Brooklyn, New York.

Ho held a B.A. degree in sociology from Harvard University (1979). He has recorded for the Koch Jazz and Soul Notelabels. Some of his most recent works include Deadly She-Wolf Assassin at Armageddon, which premiered inPhiladelphia, Pennsylvania in June 2006, Voice of the Dragon I, II, and III. As Ho was a prolific composer, writer, playwright, his list of works grew continually. Some of his first CDs include Monkey 1, Monkey II, The Underground Railroad to My Heart (Soul Note), We Refuse To Be Used And Abused, and Tomorrow is Now!

In his 2000 book, Legacy to Liberation, Ho, recapitulating an aesthetic vision first presented in 1985, wrote:

"Revolutionary art must...inspire a spirit of defiance, or class and national pride to resist domination and backward ideology. Revolutionary art must energize and humanize; not pacify, confuse and desensitize...

"I am adamantly against one-dimensional, so called "correct" proscriptive forms that petty bourgeois critics try to label as "political art." I'm also not in favor of the errors of socialist-realist art with its glorified "socialist heroes," but favor imaginative critical realism, a sensuous rendering of the colorful material world. Art can fill us with love, with hope and with revolutionary vision.

"Ultimately society must be transformed through the organization of people for socialist revolution. Artists can contribute a critique of capitalist society. This is critical realism: to criticize appearances and obscured social relations. . . Artists play key roles in affecting consciousness and can help to transform the working class from a class-in-itself to a class-for-itself."

On August 4, 2006, Ho was diagnosed with colon cancer. After chemotherapy, his health improved, but a second tumor was found on September 24, 2007.[2]

In 2009, he received the Harvard Arts Medal.

Discography

2010 - Innova Recordings/Big Red Media 788 - Deadly She-Wolf Assassin At Armageddon! (soundtrack) / Momma's Song